Flash Photography for Portrait or Product Photography

Flash Photography for Portrait or Product Photography

Flash Photography for Portrait or Product Photography

Flash Photography for Portrait or Product Photography
Neewer 32 inches /80 centimeters Octagon Softbox Octagonal Speedlite, Studio Flash, Speedlight Umbrella Softbox with Carrying Bag for Portrait or Product Photography
Flash Photography for Portrait or Product Photography

Flash Photography for Portrait or Product Photography

Flash Photography for Portrait or Product Photography

• The light diffusion surface diameter is 32"/80cm, with wide range of applications, suitable for portrait or product photography.
• It is a soft box when being spread and like an umbrella when being folded, easy to use.
• The umbrella body made of high-density nylon material, high reflective.
• Double metal frame, light and solid.
• Can be used with flashes and some studio flash lights with umbrella hole.

NEEWER(TM) Softbox is designed to diffuse a strobe flash, giving you better even lighting. It comes with a silver reflective interior and a flush front face. It's necessary in any professional portrait studio.
Features:
The light diffusion surface diameter is 32"/80cm, with wide range of applications, suitable for portrait or product photography.
It is a soft box when being spread and like an umbrella when being folded, easy to use.
The umbrella body made of high-density nylon material, high reflective
Double metal frame, light and solid.
Can be used with flashes and some studio flash lights with umbrella hole.
Specifications:
Material: nylon material, Aluminum shaft
Spread Surface: 32"/80cm
Color: Black / Silver (out/in)
Shape: Octagon
Package Contents:
1x 32"/80cm Portable Octagonal Umbrella Softbox
1 x Front Cover
1 x Carrying Bag
Note: Light stand, flash holder and flash not included.

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Flash Photography for Portrait or Product Photography

700W Professional Photography

700W Professional Photography

700W Professional Photography
Flash Photography Neewer 700W Professional Photography 24x24 inches/60x60 centimeters Softbox with E27 Socket Light Lighting Kit
700W Professional Photography

700W Professional Photography

700W Professional Photography

700W Professional Photography

Product Dimensions	32 x 12 x 9 inches
Item Weight	12.5 pounds

• The kit included:(2)24"X24"/60x60cm Softbox+(2)85W 5500K CFL Light Bulb+(2)88"/224cm Light Stand +(1)Carrying Bag
• This professional kit is perfect for advertising products,photo-art,industrial,scientific and technical photography,photographic reproduction.
• (2)24"X24"/60x60cm Softbox:Softbox diffuses the light and gives you perfect even lighting when you need for the best shots possible.With E27 socket,you can directly connect light bulbs,fluorescent lamps,or slave flash to offer the light.
• (2)85W 5500K CFL Light Bulb:Low operating temperatureso they don't get hot like the more common photo bulb choices.Provide bright enviroment for taking product photo.
• (2)88"/224cm Light Stand:Constructed from aluminum alloy,giving them exceptional strength for heavy duty work.And use quick single action locks,providing fast precision height adjustment.(1)Comes with carrying bag to transport and protect the euipment easily.

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700W Professional Photography

TT560 Flash Speedlite for Canon Nikon

TT560 Flash Speedlite for Canon Nikon

TT560 Flash Speedlite for Canon Nikon

TT560 Flash Speedlite for Canon Nikon

Neewer TT560 Flash Speedlite for Canon Nikon Sony Panasonic Olympus Fujifilm Pentax Sigma Minolta Leica and Other SLR Digital SLR Film SLR Cameras and Digital Cameras with single-contact Hot Shoe

TT560 Flash Speedlite for Canon Nikon

TT560 Flash Speedlite for Canon Nikon

• Vertical Rotation Angle: 0~90 degrees, Horizontal Rotation Angle: 0~270 degrees; Note: Don't support TTL and the camera menu setting Function
• Compatible with Canon Nikon Panasonic Olympus Pentax with Standard Hot Shoe and Sony Camera with New Mi Hot Shoe like Sony A7 A7S/A7SII A7R/A7RII A7II A6000 A6300 A6500
• Power Management: Switch to the ON, the flash will start charging (the charging indicator is dim)
• For a test flash, press the test button. After use, press the ON/OFF to OFF to power off.
• Red charging indicator lamp flickers in every 1s; it indicates low battery; The flash unit has 8 steps of power output control which indicated by 8 pieces of LED

Product Dimensions	4 x 8.7 x 3.1 inches
Item Weight	15.8 ounces

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TT560 Flash Speedlite for Canon Nikon

How to fall hopelessly in love

How to fall hopelessly in love

How to fall hopelessly in love

How to fall hopelessly in love

The Flash Book: How to fall hopelessly in love with your flash, and finally start taking the type of images you bought it for in the first place

How to fall hopelessly in love

Standing in front of a room packed with 360 photographers at his seminar, Scott Kelby asked for a show of hands: “How many of you own some kind of an off-camera flash? A Nikon, Canon, Yongnuo, etc.?” About 340 hands went up. “Okay, I have one more question, but before you raise your hand, I want you to really think about your answer. Let’s see a show of hands―how many of you love using your off-camera flash?” Out of those 360 people, just four people raised their hands. He was stunned.
How to fall hopelessly in love
Sadly, the results were similar in city after city, even in different countries. It’s like we all bought a flash during the “hot shoe flash revolution” of 2008–2011, but we’re not getting the results we got them for in the first place. Not even close. We don’t “love” our flashes, and worse yet, in many cases, we’ve even stopped using them altogether. But it doesn’t have to be that way. You just need somebody to help you unlock the real secrets to getting beautiful, consistent, and easily repeatable results.

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How to fall hopelessly in love

Outdoor Studio Flash Strobe

Outdoor Studio Flash Strobe

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Outdoor Studio Flash Strobe

Outdoor Studio Flash Strobe

Outdoor Studio Flash Strobe

Neewer Battery Powered (700 Full Power flashes) Outdoor Studio Flash Strobe Li-ion Battery with 2.4G System(Trigger included),German Engineered,3.96 Pounds,Vision 4 for Location Shooting,Bowens Mount

Neewer VISION4 Studio Flash is specially designed for convenient Battery Cordless Location Shooting.
Sturdy and Durable with metal casing, esthetic structure.
Provide More Dynamic Effect with Bowens Adapter, 1/4" Tripod Head adapter and Umbrella Hole.
Can flash more than 700 times at full power with built-in Replaceable Lithium Battery to meet the long-time photography demand.
Adopts Environmental Friendly LED Modeling Lamp with higher luminous efficiency, less power consumption, longer service life compared with the traditional halogen modeling lamp.
Specification:
Guide Number: GN60 (2m, ISO 100)
Power Output (Max.): 300W
Power Output Range: 6 f-stop range (1/1, 1/2, 1/4, 1/8, 1/16, 1/32, 1/64)
Recycling Time: Approx. 0.4-2.5s
Full Power Flashes: 700 shots
Flash Duration: 1/1000s-1/10000s
Successive Flashes: 3 shots; 5 shots; 7 shots; 10 shots; 12 shots; 15 shots
Color Temperature: 5600+/-200k
2.4G Wireless: 16 Channels (1-16); 4 Groups (A,B,C,D)
Modeling Lamp: LED 13W, 1370 Lumen (Energy Saving)
Flash Tube: "Plug-in" tube (user replaceable)
Flash Light Dimension: 125mm(diameter) x 220mm (length)
Flash Light Weight: 1.8 kilograms
Battery Capacity: 6000mAH, 12V
Charging Voltage: AC 110-130V
Flash Light Protection Function: Overheat protection; Low voltage automatic power cut-off system
Wireless Trigger:
Effective Trigger Distance: Around 15m
Power Supply: CR2 3V Battery (Included)
Package Contents:
1 x Neewer Vision4 Studio Flash
1 x Lithium Battery (Included in the flash)
1 x LED modeling Lamp (Included in the flash)
1 x 110-130V AC Charger
1 x Standard Reflector
1 x Protective Cover
1 x 4-meter 3.5mm Sync Cord
1 x Wireless Trigger(Battery Included)


Outdoor Studio Flash Strobe

Outdoor Studio Flash Strobe

• Built-in 2.4G Receiver with 8 Channels. Trigger included. USB firmware upgrade helps keep pace with the latest technology.
• 13W energy-saving LED Modeling lamp. Stable color temperature at 5600 over the entire power range

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Outdoor Studio Flash Strobe

Flash Photography Understanding Flash Photography

Flash Photography Understanding Flash Photography

Flash Photography Understanding Flash Photography

Flash Photography Understanding Flash Photography  Understanding Flash Photography: How to Shoot Great Photographs Using Electronic Flash Paperback – August 30, 2011
This guide to on- and off-camera flash picks up where Understanding Exposure leaves off, helping free photographers from the limitations of "auto" to get the images they want when natural light isn't enough. For the many amateur photographers afraid to venture past natural lighting, here is the book that will finally help them explore the exciting possibilities of artificial light. In his trademark easy-to-understand style, Bryan Peterson explains not only how flash works, but how to go beyond "TTL" automatic flash exposure to master manual flash, allowing readers to control the quality, shape and direction of light for a perfect exposure, every time.


Flash Photography Understanding Flash Photography

Flash Photography Techniques Introduction to Flash Photography [Kindle Edition]

Flash Photography Techniques Introduction to Flash Photography [Kindle Edition]

Flash Photography Techniques Introduction to Flash Photography [Kindle Edition]

This is an amazing ebook for such a low price. It is filled with excellent examples and instructions on how to get good results with electronic flash units of various types. I enjoyed the teardown section in the beginning of the book that displayed how flash capacitors work, plus examples of using flash to photograph things like breaking a lightbulb with a hammer or capturing an exploding balloon.

Once past the initial hardware discussion, there are several chapters with excellent sample photos having full explanations of how the result was achieved. Downs discusses many flash-related techniques and methods, such as: flash exposure, metering modes, flash modifiers, ambient light balancing, manual flash, wireless flash, various lighting techniques, many humorous anecdotes, and even some explosions.

This hands-on book would be a value at five times the price. Downs writing style is easy and fun to read and will help you get better results with your flash, on and off camera. I recommend this book for those who want to learn to control their flash units more effectively. 

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Flash Photography Techniques Introduction to Flash Photography [Kindle Edition]

Portable Smartphone Car Mount - Car Cradle Smartphone Holder

Portable Smartphone Car Mount - Car Cradle Smartphone Holder

Portable Smartphone Car Mount - Car Cradle Smartphone Holder

Portraits Portable Smartphone Car Mount - Car Cradle Smartphone Holder - portrait or landscape position - Smartphone Holder - iPhone holder - Samsung Holder

• STURDY GRIP - The iVent has an expandable jaw securely and holds most smartphones including iPhones, Samsung phones, BlackBerry and Windows phones. Also works with most cases
• ROAD SAFETY - Keeps your device in sight at eye level and ready for GPS directions or hands-free calls.
• DESK STAND - The iVent Holder props up your your device on a desk or for more stability insert a card into its rubber grip and you have a hands-free stand.
• POCKET SIZE - Under an ounce and small enough to carry in your pocket.

Portable Smartphone Car Mount - Car Cradle Smartphone Holder

ePhoto 150 ws Photograph y Studio Portrait Home Studio

ePhoto 150 ws Photograph y Studio Portrait Home Studio

ePhoto 150 ws Photograph y Studio Portrait Home Studio

Portraits ePhoto 150 ws Photograph y Studio Portrait Home Studio Strobe Flash Brand New by ePhoto INC SL150

• Master/Slave Strobe Flash ( 150 ws)
• 50 watt modeling lamp bulb
• One power cord
• One sync cord
• Brand New

 

Deep Discounts in Electronics Check out the latest deals in electronics for all of your gifting needs this holiday season. 

ePhoto 150 ws Photograph y Studio Portrait Home Studio

Portraits Mount Holder Specially Designed for Iphone 6 5s 5c 5 4s 4

Portraits  Mount Holder Specially Designed for Iphone 6 5s 5c 5 4s 4

Portraits  Mount Holder Specially Designed for Iphone 6 5s 5c 5 4s 4

Bluetooth Selfie Stick, SGM (TM) Extendable Self-portrait Wireless Bluetooth Remote Camera Shooting Shutter Monopod Selfie Handheld Stick Pole with Mount Holder Specially Designed for Iphone 6 5s 5c 5 4s 4 Samsung Galaxy S5 S4, S3, S2, Note 2, Note 3, LG G2, G3, Other Smartphones + SGM (TM) Microfiber Cleaning Cloth (Black)

• C0MPATIBLE SYSTEM: IPHONE ≥IOS4.0, SAMSUNG ANDRIOD ≥3.0
• Wireless Blutooth Mobile Phone Monopod built-in remote camera control function ,no need additional shutter.
• Extremely lightweight, high strength and stable in use.
• Extendable bluetooth monopod selfie stick for iPhone 6 6 Plus 5 5S 4S, Samsung S3 S4 Note 2 Note 3 etc.
• Easy to use: Charging the Monopod; Pairing your cellphone and the Monopod (Bluetooth); Slip the phone to the clamp & Focus yourself; push the button

Portraits  Mount Holder Specially Designed for Iphone 6 5s 5c 5 4s 4

Portraits Universal Wireless Extendable Self-portrait Bluetooth Monopod Handheld Selfie Stick Monopod

Portraits Universal Wireless Extendable Self-portrait Bluetooth Monopod Handheld Selfie Stick Monopod

Portraits Universal Wireless Extendable Self-portrait Bluetooth Monopod Handheld Selfie Stick Monopod

• Extendable stick as long as 105cm, with adjustable holder it allows random ratation of shooting angle
• Adjustable phone adapters fits all phones width between 5.6-8.5 cm
• Wireless Bluetooth remote control, just press the button on the monopod to take pictures
• Compatible with IOS 4.0 and Android 3.0 system or above. Perfect attach to your iPhone 4/4s; iPhone 5/5s/6/6 plus; Sumsung S3 S4 S5 , Blackberry; HTC; Sony; LG, etc.
• Easy to use: Charging the Monopod ¡ú Pairing your cellphone and the Monopod (Bluetooth) ¡ú Slip the phone to the clamp ¡úFocus yourself ¡úpush the button
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Portraits Universal Wireless Extendable Self-portrait Bluetooth Monopod Handheld Selfie Stick Monopod

Fortitude -Adjustable Extendable Wireless Bluetooth Monopod Handheld Self Portrait Selfie Stick

Fortitude -Adjustable Extendable Wireless Bluetooth Monopod Handheld Self Portrait Selfie Stick 

Fortitude -Adjustable Extendable Wireless Bluetooth Monopod Handheld Self Portrait Selfie Stick 

Portraits Fortitude -Adjustable Extendable Wireless Bluetooth Monopod Handheld Self Portrait Selfie Stick 
Fortitude -Adjustable Extendable Wireless Bluetooth Monopod Handheld Self Portrait Selfie Stick with Remote Shutter Function for iPhone 4/4s, iPhone 5/5s/5c, Samsung S3 S4, Blackberry, HTC, Sony, LG, Compatble with IOS 4.0/ Android 3.0 or Above System (Black)

Details

Color: Black

• Lastest Version of Wireless Bluetooth Monopod with built-in remote camera control function.
• Extendable stick as long as 105cm, with adjustable holder it allows random ratation of shooting angle.
• Compatible with IOS 4.0 and Android 3.0 system or above. Perfect attach to your Apple iPhone 4/4s;
• iPhone 5/5s; Sumsung S3 S4, Blackberry; HTC; Sony; LG, etc.
• Whether you're traveling or just around the house with the family, now you can be in the picture too!

Fortitude -Adjustable Extendable Wireless Bluetooth Monopod Handheld Self Portrait Selfie Stick

20x15cm Dome Light Translucent Soft Flash Box Portable For Flash

20x15cm Dome Light Translucent Soft Flash Box Portable For Flash

20x15cm Dome Light Translucent Soft Flash Box Portable For Flash

Flash NEEWER 6"x8" Softbox / 20x15cm Dome Light Translucent Soft Flash Box Portable For Flash, Speedlight, NEEWER TT520 TT560 TT660, Nikon SB-900 AF, SB-800 AF, SB-700 AF, SB-600, SB-400 AF, Canon Speedlite 380EX, 430EX, II, 550EX, 580EX, II, 600EX-RT, Vivita Flash, Sunpack, Nissin,Sigma, Sony, Pentax, Olympus, Panasonica Lumix Flashes

• Professional Lighting Made Easy
• Pops open and is ready for action in seconds
• Fold-flat construction easily fits in your pocket or camera bag for quick and easy portability.
• Portable , light-weight, innovative design is ready for use in any situation.
• Simple design makes installation easy and convenient.

20x15cm Dome Light Translucent Soft Flash Box Portable For Flash

How Does the Canon Rebel T4i Compare With the Nikon D5200?

With Canon and Nikon both fighting for the entry-level market, they have both launched movie friendly DSLRs to tempt enthusiast and professional videographers. Despite the two cameras coming from different manufacturers, they have a lot in common. They are both useful upgrades to current cameras (the D5100 and the Canon T3i), and are designed to consolidate their markets by extending into movie making, which both Canon and Nikon recognize as potential areas for growth. It is clear that Nikon and Canon are treating the entry-level market as a major battleground, particularly in the USA.

The Canon T4i doesn't feel quite so robust as the D5200, but it is solid enough for day-to-day use. It is a bit bigger than the D5200 though, and so easier for anyone with average sized hands to hold. The scroll-wheel clicks reassuringly as it turns and the rear buttons are responsive. The layout at the back on the Canon T4i is well set out and has more buttons, making delving into the menu settings a lot quicker and easier. Some are multi-functional, which can take a little thought. For example, the same button that starts recording video in movie mode also enables live view in a still shooting mode. The slight downside of this is that some of the buttons are also very close together. However, the Canon T4i does have a dedicated ISO button, and quick access to white balance, drive mode, and AF settings (the D5200 doesn't have any of these). There is an IR sensor on the front of the camera, but no Fn button as there isn't really a need for it.

Both cameras have an articulated LCD screen. The Canon T4i has a noticeably higher resolution than that of the D5200. The Canon's LCD has 1040 thousand dots, while the D5200 has 921 thousand. One of the Canon T4i's best-selling points is that the LCD is a touchscreen. This makes it much easier to configure settings and, more importantly, it lets you select a focus point through live view. You can also take your picture by tapping on the location where you want the camera to focus. These are very innovative and useful features, taken from the Compact System Camera (CSC) ranges that are out now. It is great to this technology being adopted by the Canon T4i as it makes it far more useable than any other camera in its bracket.

The Canon's phase detect AutoFocus system is extremely fast. Whilst it has only 9-point Auto Focus system, against the 39-points of the D5200, it is both fast and accurate for general-purpose shooting. The Canon T4i doesn't have a dedicated AF assist light, but it can use its built-in flash in these circumstances. The T4i supports full-time autofocus in video mode, which matches the D5200 and, with Canon's STM lenses, the focussing is quiet enough for shooting video. It also has an external Mic socket. It is fair to say that the Canon Rebel T4i is probably the batter camera for shooting video. The articulated screen, full-time AutoFocus, and external Mic make it ideal for your everyday video needs.

The Nikon D5200 is a very compact camera and smaller than it's predecessor, the D5100. This could cause problems with those of us with big (average!) hands. It doesn't always feel like a proper DSLR, especially when carrying a larger lens. Although it doesn't match the build quality of the magnesium alloy D700, the toughened plastic body feels reasonably solid and sturdy. The layout at the back is easy to navigate with an array of buttons to make access to the various functions straightforward. Live view is easily accessible and video recording can be initiated with a press of a single button. It has just one control wheel which is snappy and responsive. There is an IR port on the front of the camera and also a dedicated AF assist light, which the Canon T4i doesn't have. On the right side there is a customizable Fn button which can be used to control image quality, ISO, active-D lighting, or white balance (there are no dedicated single buttons for these options). The pop-up flash automatic in green mode, meaning that the flash will pop up on its own if the camera thinks it is needed.

The LCD screen is inherited from the D5100, where it was hugely popular. Like with the canon T4i, it is very useful for shooting at different angles and is particularly useful when shooting video. The help menus are good and make the Nikon D5200 quite novice friendly. The display rotates with the camera, meaning that text on the status screen won't appear sideways when you're shooting portraits. The playback mode is quick and efficient you won't need to wait for images to load. And there is a comprehensive info screen which lets you control just about every shooting parameter that the camera has to offer. However the four-way selector is not as easy to use as the one on the Canon. The Nikon D5200 doesn't have as many external buttons as the Canon T4i, Making some of the menu choices hared to get to. The new(ish) Expeed 3 processor makes the Nikon fast and decisive in phase detect AutoFocus and extremely fast in Live View. The D5200's articulating screen comes in handy for shooting video, and Nikon have increased the number of frame rate options, introducing 60i and 50i. Like the Canon T4i, it will accept an external microphone and has full-time video AutoFocus.

At low very ISO, the Canon T4i matches the Nikon, though the D5200 is slightly better at maximum (non-expanded) ISO. Overall, the Nikon delivers slightly better image quality than the Canon. Remember, the Canon T4i also has a physically smaller sensor than the D5200. It may not seem like much, but 1.6x rather than 1.5x combined with the increased resolution puts the Nikon D5200 ahead. For more information on the sensors, take a look at the sensor scores published by DxO labs.

In short, the Canon Rebel T4i has great AutoFocus, a great articulated touchscreen and is a really superb video camera. The Nikon D5200 has excellent, fast AutoFocus, a good articulated screen, a great buffer/processor and very useful in-camera guides.

I think if you had no lens loyalty either way, the Canon T4i would be the better camera to get. The difference in image quality is hardly noticeable under normal conditions and the canon certainly matches the D5200 on the video front. Whilst both cameras are excellent in their own ways, the Nikon D5200 costs more than the small improvements over the canon T4i would warrant.

How Does the Canon Rebel T4i Compare With the Nikon D5200?

Flash Photography Techniques Portraits

How Does the Canon Rebel T4i Compare With the Nikon D5200?

How Does the Canon Rebel T4i Compare With the Nikon D5200?
How Does the Canon Rebel T4i Compare With the Nikon D5200?

Flash Photography Techniques Portraits

How Does the Canon Rebel T4i Compare With the Nikon D5200?

How Does the Canon Rebel T4i Compare With the Nikon D5200?

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Headshots & Portrait Photography : Headshots & Portrait Photography: Turning Off the Flash

Headshots & Portrait Photography : Headshots & Portrait Photography: Turning Off the Flash

Video Clips. Duration : 1.20 Mins.

Headshots & Portrait Photography : Headshots & Portrait Photography: Turning Off the Flash
When using digital cameras in portrait photography, remember to turn the flash on the camera off. Turn off the camera flash for portrait photography with tip...
Headshots & Portrait Photography : Headshots & Portrait Photography: Turning Off the Flash

Headshots & Portrait Photography : Headshots & Portrait Photography: Turning Off the Flash

Headshots & Portrait Photography : Headshots & Portrait Photography: Turning Off the Flash



Headshots & Portrait Photography : Headshots & Portrait Photography: Turning Off the Flash

How Does the Canon Rebel T4i Compare With the Nikon D5200?

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How Does the Canon Rebel T4i Compare With the Nikon D5200?

How Does the Canon Rebel T4i Compare With the Nikon D5200?
How Does the Canon Rebel T4i Compare With the Nikon D5200?



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How Does the Canon Rebel T4i Compare With the Nikon D5200?

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How Does the Canon Rebel T4i Compare With the Nikon D5200?

How Does the Canon Rebel T4i Compare With the Nikon D5200?

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How Does the Canon Rebel T4i Compare With the Nikon D5200?

Equipment for Nightclub Photography

You don't need fancy, high end, expensive equipment for nightclub photography. Any decent prosumer level DSLR kit and a flashgun that's fully compatible with the camera body and supports i-TTL (Nikon) or E-TTL (Canon) modes will do.

Since all the photographs will most probably be resized for web use megapixels also don't matter. Even if you are expected to submit high resolution photos on a CD/DVD, unless they'll be used to print huge and I mean huge posters or banners, you don't really need more than 6 megapixels to get the work done. The only thing that I'd suggest to really think investing in, if you are serious about photography, is a ''fast'' lens with a fixed aperture value.

''Fast'' lens is a term usually used to describe lenses with maximum aperture value of f2.8 and below (f1.8, f1.4, f1.2). If you are still using a kit lens, take a look at the writing on it now, you will probably see something like 18-55mm, which describes the focal range covered, followed by 3.5-5.6, which means that at 18mm the maximum aperture opening of this lens is f3.5 and at 55mm the maximum aperture opening will be f5.6. Therefore, the aperture is not fixed throughout the focal length of this lens and changes as you zoom in or zoom out and can result in some inconsistency.

For instance, I use a Sigma 24-70mm 2.8, so if I set the aperture value of f2.8 it will stay at 2.8 whether I am shooting at 24 or 70mm. By now you probably understand why I started by suggesting a lens with a ''fixed'' aperture. These lenses are not cheap, but they are worth it, providing more predictable results, consistency and are generally better in terms of built and optical quality. Also, consider buying used equipment and if you are on a budget, instead of going for Nikon or Canon lenses, look for ones from other manufacturers such as Sigma, Tamron, Tokina etc. Lenses with focal lengths of 17-70 or 24-70 are in my opinion optimal choices for nightclub photography.

Now I'd like to talk about some accessories which nightclub photographers use to improve picture quality. Assuming that you already own an external flash unit, which is very important for nightclub photography, first accessory worth mentioning is a flash diffuser that attaches to the tip of the flashgun. Contrary to what many people think it doesn't really diffuse light parse, it spreads the light, producing much softer lighting as a result. They are very cheap and you can get one of eBay or Amazon. You don't really need any bulky, expensive light spheres and other bigger types of diffusers. Although, they do produce excellent results and some photographers use them for weddings and even in a studio, they are just too bulky to carry around in a nightclub and are very likely to fall off the tip of your flash gun and sooner or later someone will surely step on it.

Whilst we are on the subject of lighting, I might as well get it out of the way by suggesting that you should never point the flash directly at your subject, as it will not only make the background very dark, but also produce very harsh shadows. Instead turn the flash head up, whether you're photographing in landscape or portrait format, and bounce the light off the ceiling. As you gain more experience you will learn to read the surrounding well and sometimes even bounce the light of the walls for a different result. I will talk more about flash settings later.

Second very important accessory is a lens hood. Not only it is very important from picture quality perspective as it helps you avoid getting lens flares and produce better overall contrast in your photos, but it will also protect the front element of your lens. For instance, if you accidentally hit the lens against a wall or a bar stand, or some lady rubs her purse against it, the hood will protect the front element from getting scratched. Although, not all the kit lenses come with a hood, you can still purchase one of eBay. It'll probably either be a rubber type that pops on or a threaded one that screws into the filter thread of your lens. Both types are absolutely fine!

Next three pieces of accessory, that I'm about to mention, are in my opinion purely about personal preference. Many nightclub photographers will suggest that you use a UV filter. A UV filter is a clear piece of glass which screws onto the tip of the lens in the case of nightclub photography mainly for protection. To be honest I'm not a big fan of those, as in my opinion they limit some amount of light entering the lens, producing somewhat duller results. Of course you can use a UV filter and compensate for difference in final results by slightly changing some settings in your camera, if you want a bit more protection for your lens. In other words, it's entirely up to you if you want to use one or not. If you do decide to purchase a UV filter, I suggest you go for more expensive, pro quality filters, for the reason that cheaper filters will obviously degrade quality by causing ghosting, glares etc. There are many types of UV filters out there; they come single coated, double coated etc. Just look it up online and do some researches before you purchase one.

Another piece of equipment that I want to discuss is a vertical grip. You can purchase a vertical grip from manufacturers other than Nikon or Canon. For instance, Hahnel produces good quality grips for almost half the price and they do a great job. I've used a Hahnel grip on my Nikon D90 for about two years and sold it along with my camera in top working and cosmetic condition. Again, this accessory is all about personal preference and all it does is make it slightly easier to handle your camera when you take photos in a portrait format, as it lets you hold the camera much in a same way as you would in a landscape format. As a bonus you also get a second battery slot for a spare battery, which is helpful if you have a long night shooting. Plus you get an AA battery adapter with 6 AA batteries offers a flexible power-backup solution when you run out of power unexpectedly.

Finally, the last piece of equipment that I'll be talking about is a TTL off-camera shoe cord. This cord is the cheapest and probably one of the most reliable ways to get the flash off your camera without losing any functionality of the flashgun. Off-camera lighting is a completely different topic, but you can experiment by holding your flashgun in one hand and the camera in another and you will notice the difference in the way people are lit as you move the flashgun to the left, right or even above your camera. Alternatively, you can use wireless triggers or if you're a Nikon user most of the recent cameras support CLS (Creative Lighting System), which allows camera to act as a master unit and trigger the flash gun wirelessly even if it's not mounted on the camera body. This function works only with Nikon flashguns such as SB-600, SB-800, SB-900 etc. Earlier models don't support it. Refer to the user's manual to find out how exactly to set your camera and flash to communicate wirelessly.

Equipment for Nightclub Photography

Flash Photography Techniques Portraits

Equipment for Nightclub Photography

Equipment for Nightclub Photography
Equipment for Nightclub Photography

Flash Photography Techniques Portraits

Equipment for Nightclub Photography

Equipment for Nightclub Photography

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Equipment for Nightclub Photography

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Equipment for Nightclub Photography

Equipment for Nightclub Photography
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Equipment for Nightclub Photography

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Portrait Photography For Everyone by Monte Zucker

Portrait Photography For Everyone by Monte Zucker

Video Clips. Duration : 4.65 Mins.

Portrait Photography For Everyone by Monte Zucker
Monte Zucker teaches simple lighting patterns to make quality predictable portraits using one lighting pattern, two poses and three camera positions. He demo...
Portrait Photography For Everyone by Monte Zucker

Portrait Photography For Everyone by Monte Zucker

Portrait Photography For Everyone by Monte Zucker



Portrait Photography For Everyone by Monte Zucker

What Do I Need to Start a Photography Business? 7 Great Tips

It is easier than ever before to start up a photography business. Years ago, so much equipment was needed for taking your shots and then processing them, as well as the need good size rooms for a light room, and perhaps a studio. Then an office was needed to run things from, so there's two or three rooms required to start with plus thousands in equipment. Thanks to technology, it is possible to run everything from just one or two rooms, and also perhaps using equipment you already have, so even starting a photography business from home is truly a viable option. So what do you need to start a photography business?

Here are several essentials you need to look at for starting up your photography business.

1. Decide how many rooms you need. If it's just an office, then this is much easier. If you need a studio, then perhaps you could consider converting the garage into one if you want to work from home. Be sure to check relevant council or authority regulations if you have customers coming to your home. Otherwise, it might be an idea to look at renting premises.

2. To start off with, all you really need is a good quality DSLR, lenses and flash. Any other equipment you need depending on the job you do, can easily be hired as and when.

3. A reliable powerful computer. If you are reading this, it is likely you already have one, so use it until you make some money and then invest in a dedicated computer for your business.

4. Software. Photoshop is of course the industry standard, but it isn't essential you use this software. Other software like Corel Draw, Photoshop Elements, even the free Gimp are perfectly acceptable alternatives.

5. Get yourself a website, and promote your work on it. Put your portfolio up to give people a taste of what you're about. Don't forget to put your contact details on!

6. Be sure to find out about the legal side of things, eg taxation, insurance, and so forth.

7. Passion, desire and a creative eye. But you already have these, don't you?

These are just simple tips for just getting a rudimentary business up and running, and to start bringing in some money. It is advisable that you seek professional guidance in setting your business up and there are many ways you can do this, research, reading, and your local authority may also have some start up business help and assistance scheme too.

What Do I Need to Start a Photography Business? 7 Great Tips

Flash Photography Techniques Portraits

What Do I Need to Start a Photography Business? 7 Great Tips

What Do I Need to Start a Photography Business? 7 Great Tips
What Do I Need to Start a Photography Business? 7 Great Tips

Flash Photography Techniques Portraits

What Do I Need to Start a Photography Business? 7 Great Tips

What Do I Need to Start a Photography Business? 7 Great Tips

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What Do I Need to Start a Photography Business? 7 Great Tips

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What Do I Need to Start a Photography Business? 7 Great Tips